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ANAT

Office
L7, 144 North Terrace
Adelaide, SA 5000
Postal
PO Box 8029
Rundle Mall, SA 5000
Phone
61 (0) 8 8231 9037
Email
[email protected]

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anat_australia

Australian Network for Art & Technology :: National Network (AU). Residencies, Art+Science+Technology collaborations, partnerships and programs.

ANAT Australia
In the FINAL DAYS of her 2022-23 ANAT Synapse resi In the FINAL DAYS of her 2022-23 ANAT Synapse residency, Dr Anna Madeleine Raupach joined Instrumentation Scientists Dr Doris Grosse and Dr Michael Copeland for 3 nights, controlling the 2.3 metre telescope at Siding Spring Observatory in Canberra.

The pupil image is an image of the telescope’s aperture, which is obstructed by the mirror of the telescope held in place by ‘spider vanes’ which appear in clear images as cross hairs around the small circle in the centre.

READ Anna's CREATIVE RESEARCH JOURNAL using the LINK IN OUR BIO

Hosted by the ANU Research School of Astrophysics and Astronomy (RSAA) at Mount Stromlo Observatory, Anna's project combines creative practice with methods of observational astronomy to investigate the growing impacts and potential mitigation strategies of human-caused space pollution.

Anna is a multidisciplinary artist based on Ngunnawal and Ngambri land, Canberra, who explores expressive interpretations of scientific concepts. Her current practice focuses on alternative forms of temporality related to climate change.

Image: 2022 ANAT Synapse resident, Dr Anna Madeleine Raupach, Siding Spring Observatory telescope’s aperture.

@anna_madeleine @MtStromlo @DrBradTucker #theaustraliannationaluniversity @ouranu #SidingSpringObservatory #ANATalumni #ANATsynapse2022 #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research #experimentation #collaboration #creativity #innovation #diversity #inclusivity #astronomy #satellites #megaconstellations #spacepollution #radiofrequencies
'A Partnership for Uncertain Times' places a spotl 'A Partnership for Uncertain Times' places a spotlight on four South Australian contemporary artists who use cross-disciplinary fields to create artworks that critically engage with our complex and increasingly uncertain world. 

South Australian artist and photographer Taylor Parham @taylorparham will visually document the artists in their working spaces, whilst Click Films and Topbunk will be producing our 2023 edition of SPECTRAvision.
 
Taylor’s recent practices have shifted towards documenting a passion of his, the world of science and all its potential. His intent in photographing these environments is to reveal the accidental aesthetics and beauty that exists in spaces built where form and function are a priority, exploring an idea of science intersecting with art and vice versa. 

A Partnership for Uncertain Times features:
BRAD DARKSON, DEIRDRE FEENEY, NIKI SPEROU, CATHERINE TRUMAN.

The series is an exploration of process that includes workshops, an exhibition, artist talks as well as commissioned text and video essays.

Images: Taylor Parham, Anechoic Chamber, 2021. Taylor Parham, GMP Production Cleanroom, 2022. 

@taylorparham @deirdre_feeney @catherinetruman @niki_sperou @unisa.art @artssouthaus #APartnershipForUncertainTimes #BradDarkson @clickfilmsadelaide
#CreativeResearch @topbunk.au #artScienceTechnology #intersections #possibleFutures
ANAT is absolutely delighted to welcome three new ANAT is absolutely delighted to welcome three new ANAT Board members Michèle Saint-Yves, Melita Grant and Ana Tiquia,

Living with disability on Kaurna Country, Michèle Saint-Yves primarily writes for performance—stage, screen, and poetry. Her embedded access ground-breaking play CLOCK FOR NO TIME won the SA RUBY AWARD 2022 for ‘Outstanding Work: Collaboration.’ She has four degrees, with the latest in 2020 as a medico-neuroscientist, winning UniSA Cancer Research Institute’s Cancer Biology Prize.

Prior to becoming disabled in 2001, Michèle had a career centred on social capital development, strategic planning, organisational development and policy-performance evaluation. She also served on non-profit Boards and Statutory Authorities. Since becoming disabled, she has served on Access & Inclusion Advisory Panels and undertakes consultancy work on arts access.

Welcome to Team ANAT Michèle!

Image: Michèle Saint-Yves,

@alltomorrowsfutures @paprika68 @leetsie @melissaldelaney @auscouncilarts #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research #experimentation #collaboration
ANAT is delighted to WELCOME three new ANAT Board ANAT is delighted to WELCOME three new ANAT Board members Melita Grant, Ana Tiquia, and Michèle Saint-Yves.

Melita is a Research Director at the Institute for Sustainable Futures at the University of Technology Sydney. She works with social justice and sustainability partners from the Asia-Pacific region, and specialises in integrated water resources management in international development with a focus on inclusion. 

With an academic background in international relations and environmental management, Melita has expertise in a range of sustainable development issues, and has worked for over 20 years’ in government, university, and civil society sectors. Melita is exploring artistic connections with water management programs in the Pacific as part of her PhD in support of decolonising methodologies.

Welcome to Team ANAT Melita! 

READ the full story using the LINK IN OUR BIO

Image: Melita Grant

@alltomorrowsfutures @paprika68@leetsie @melissaldelaney @auscouncilarts #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research #experimentation #collaboration
What advice would you give to your younger self? ( What advice would you give to your younger self? (when you were just starting out as an artist)

"Back yourself. Conviction is key. 
Everything in your life up until now has been a reccy."

Wiradyuri conceptual artist Amala Groom is our featured Q&A March guest. 

READ more about Amala's remarkable practice 
USING THE LINK IN OUR BIO.

Image: Amala Groom, dhaagun ngiyanhigin.gu nganhundhi (the land owns me), 2018, Epson ultra chrome pigment on Canson Photographique 100% cotton rag  114 x 169 x 5cm. Edition of 5 + 1AP. Image courtesy of the artist.

@amalagroom @blackartprojects #RaymondZada #BradDarkson#ANATalumni #FirstNationsAustralia #AboriginalCulture #IndigenousAustralia  #QandA #ArtScienceTechnology #collaboration #Experimental
ANAT is absolutely delighted to WELCOME three new ANAT is absolutely delighted to WELCOME three new ANAT Board members, Ana Tiquia, Melita Grant and Michèle Saint-Yves.

For nearly 15 years Ana has worked as a strategist, cultural producer, curator and artist at the intersections of art, technology, design, and futures research. Ana is founder of cultural and strategic consultancy All Tomorrow’s Futures, and has worked in the UK and Australia with organisations including Somerset House, the Barbican, Melbourne Museum and London’s Philharmonia Orchestra to produce exhibitions, installations, and interactive projects using advanced technologies. 

As an artist, Ana explores how practices and infrastructures make worlds. Her work intervenes in everyday, workplace, and institutional practices to seed diverse futures of data and technology, work and labour, and energy, material, and multispecies relations.

ANAT CEO, Melissa DeLaney, said she is looking forward to working closely with the new team. “This is an exciting time in the evolution of ANAT. Building on the strength of ANAT’s current Board, the new members offer a wealth of experience across arts practice, in sustainability and development, in partnerships and future making."

READ the full story using the LINK IN OUR BIO

Image: Ana Tiquia.

@alltomorrowsfutures @paprika68@leetsie @melissaldelaney @auscouncilarts #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research #experimentation #collaboration
👏 a warm and heartfelt thank you to two of ANAT 👏 a warm and heartfelt thank you to two of ANAT’s outgoing Board members, David Anders and Dr Megan Kelleher. 

David has been the leader of ANAT Risk Subcommittee and a valued Board member over the past six years, bringing his expertise in international cyber risk and a steady and calm influence in governance and best practice. David will be missed.

ANAT also bids a farewell to Dr Megan Kelleher who is focussing on a PhD at RMIT University and who will no doubt be back at ANAT in the future. We wish Megan all the best with her important research and study.

ANAT Board Chair, Michael Nelson says “We will keenly miss the expertise and guidance of David, whose contribution to the board over such a long period has been vital to the stability and growth of ANAT. Although Megan’s tenure on the board was short-lived, she demonstrated her capacity for meaningful contribution and I know the board looks forward to working with her again.”

Images: David Anders. 2. Megan Kelleher, photograph Nicholas Walton-Healey

#DavidAnders #MeganKelleher #ANATboard
SATURDAY Symposium Session :: 'Working with Waters SATURDAY Symposium Session :: 'Working with Waters' featuring Brad Darkson and Clyde Rigney

Inspired by rivers that flow both ways, ACE has partnered with the Biennale of Sydney to present a local response to the 23rd Biennale, titled rīvus (Latin for “stream”). Dedicated to nature and water-based ecologies, rīvus tackles many timely environmental themes including climate change and the effect of colonisation on First Peoples’ custodianship of ecosystems.

Nexus Arts, March 18 at 12.30PM
Booking details: https://www.ace.gallery/whats-on/public-programs/symposium-a-river-that-flows-both-ways

Brad is an ANAT Board member and ANAT Alumni. His current research interests include hostile architecture, bureaucracy, seaweed, and the neo-capitalist hellhole we’re all forced to exist within. Conceptually Brad’s work is often informed by his First Nations and Anglo Australian heritage. Brad’s mob is Narungga, Kaurna, Ngarrind- jeri and he is a proud member of the Chester family.

Brad is also one of the artists featured in 'A Partnership for Uncertain Times'... four exceptional South Australian artists working at the intersections of art, science and technology.

Image: Sopolemalama Filipe Tohi, Haukulasi, 1995–2021 (detail). Commissioned by the Biennale of Sydney with generous support from Creative New Zealand. Photo by Document Photography.

#braddarkson @ace.gallery.adelaide @biennalesydney @adelaidefestival⁠ @nexusarts #anatalumni
"Of great interest to me is the possibility of wha "Of great interest to me is the possibility of what one might call ’empirical semiotics’ or ‘computational semiotics’ – where semiotic analysis and generation could actually be underpinned by computational forms of logic, categorisation and emergence." from artist Peter Morse's creative research journal.

Playable Earth is an ANAT Bespoke Residency in partnership with Swinburne University. Peter's project aims to explore novel ways of visualising and interacting with satellite-originated Earth observation data and analytics using modern game development environments.

Dr Peter Morse (TAS) + Prof Christopher Fluke (VIC), Smartsat Crc at Swinburne University

READ Peter’s creative research journal
using the LINK in our BIO

Image: Interior life. Stable Diffusion image. Credit: Peter Morse

@petermorse.studio #ProfChrisFluke #PlayableEarth #SmartSatcrc #AnatBespoke #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research #experimentation #collaboration #creativity #innovation #diversity #inclusivity #GameDevelopment #satellites #astrophysics #SuperComputting
Hot off the micro-mill and fabricated by the Austr Hot off the micro-mill and fabricated by the Australian National Fabrication Facility... Perceptual illusions: exploring depth of field in materially generated moving images, is the title of artist Deirdre Feeney's work, featuring in A Partnership for Uncertain Times.

The project intertwines optics, media archaeology, digital fabrication and human perception to explore depth of field in the projected moving image. It applies a nineteenth century animation system and contemporary methods of making to explore optical effects of material image making and how these effects engage with the viewer’s perception.

A Partnership for Uncertain Times features four exceptional South Australian artists working at the intersections of art, science and technology:
BRAD DARKSON, DEIRDRE FEENEY, NIKI SPEROU, CATHERINE TRUMAN.

FOR MORE DETAILS use the LINK in our BIO

The project is an exploration of process that includes workshops, an exhibition, artist talks as well as commissioned text and video essays.

Image: Deirdre Feeney, Optical image system component (micro-milled aluminium polygon with aluminium shaft), 230mm dia x 25mm high.

@deirdre_feeney @catherinetruman @niki_sperou @unisa.art @artssouthaus  #APartnershipForUncertainTimes #BradDarkson
#CreativeResearch #artScienceTechnology #intersections #possibleFutures
OPENS NEXT WEEK :: 'Salt Frames' is an intimate co OPENS NEXT WEEK :: 'Salt Frames' is an intimate collection of seascapes made along the Nightcliff foreshore in Darwin by photographer Nicholas Walton-Healey.
There's mysterious beauty in the salt of the sea ...

The Library at The Docks (Level 2) March 15 - April 16
Opening event: 6pm March 16
Meet The Artist Day: 10am-1pm April 1.

Nick captured all the live action for us at ANAT SPECTRA 2022, in Melbourne at @scigallerymel 

@cityofmelbourne, @cityofmelbournelibraries, @whatsonmelb and @nicholaswaltonhealey #melbmoment #cityofmelbourne.
MESH: Interspecies Empathy is the title of artist MESH: Interspecies Empathy is the title of artist Niki Sperou's work, featuring in A Partnership for Uncertain Times.

"Uncertainty evokes new questions, viewpoints, and futures. Initially, I was concerned with the impact of technology upon ‘what it means to be human’ but this interest has evolved toward expanded entanglements and chimeric possibilities; post-human, multispecies, queer, repurposed, interdisciplinary, eco-techno and postcolonial; raising interrogations of relationships and speaking for others." Niki Sperou.

A Partnership for Uncertain Times features four exceptional South Australian artists working at the intersections of art, science and technology:
BRAD DARKSON, DEIRDRE FEENEY, NIKI SPEROU, CATHERINE TRUMAN.

FOR MORE DETAILS use the LINK in our BIO

The project is an exploration of process that includes workshops, an exhibition, artist talks as well as commissioned text and video essays.

Images: 1. Niki Sperou, Apparently it’s a thing, 2022. 2. Niki Sperou, MESH: Interspecies empathy – Work in progress 2023 3. Niki Sperou, MESH: Interspecies empathy – Work in progress 2023

@deirdre_feeney @catherinetruman @niki_sperou @unisa.art @artssouthaus @carrick_hill #APartnershipForUncertainTimes #BradDarkson
#CreativeResearch #artScienceTechnology #intersections #possibleFutures
FINAL CALL FOR APPLICATIONS :: NEW LIGHT 2023 Sho FINAL CALL FOR APPLICATIONS :: NEW LIGHT 2023

Showcasing experimental and diverse moving image works by First Nations artists, through a national call out, the commissioned artworks will be displayed on the outdoor screens at King William Road entrance to Adelaide Festival Centre in July 2023 as part of Illuminate Adelaide.

We are seeking to commission a selection of artists/groups, to produce experimental moving-image works of up to one-minute’s duration.

We encourage artists/artist groups at any stage of their artistic practice to apply (emerging, mid-career and established).

Successful artists/artist groups will receive a fee of $2,000 (ex. gst) to produce the work, inclusive of artist fees, production costs and materials etc. All copyright will remain with the artist.

Read the guidelines and APPLY using the LINK in our BIO
Deadline: 3pm (ACDT), 8 March 2023.

Image: Amala Groom, Myths & Legends: Britannia (still), New Light 2022, Adelaide Festival Centre.

#NewLight @illuminateadelaide @amalagroom @blackartprojects @adelaidefescent #MovingImage #FirstNationsAustralia #AboriginalCulture #IndigenousAustralia #AdelaideFestivals @leahbarclay @triciakingphoto #LyndonDavis
The Taken Path is artist Catherine Truman's in-pro The Taken Path is artist Catherine Truman's in-progress durational project, featuring in A Partnership for Uncertain Times.

"There seems to be an innate drive in us to intervene in, alter and reorder the natural environments around us, even if we have no place in them. Based at Carrick Hill, a defined path that traverses natural and altered landscapes will be filmed at monthly intervals over a year to bring focus to these constantly shifting interrelationships." Catherine Truman

A Partnership for Uncertain Times features four exceptional South Australian artists working at the intersections of art, science and technology:
BRAD DARKSON, DEIRDRE FEENEY, NIKI SPEROU, CATHERINE TRUMAN.

FOR MORE DETAILS use the LINK in our BIO

The project is an exploration of process that includes workshops, an exhibition, artist talks as well as commissioned text and video essays.

Catherine's exhibition The Arrangements: assembling nature, OPENS TODAY at Carrick Hill.

Images: 1. West Path Conifers: horizontal sequence, Film still. January 2023 Catherine Truman in collaboration with Ian Gibbins. 2. East Path Pear Arbor: concenctric sequence, Film still. January 2023 Catherine Truman in collaboration with Ian Gibbins. 3. Light Study: long soft blur ochre and blue. Film still. January 2023 Catherine Truman in collaboration with Ian Gibbins.

@deirdre_feeney @catherinetruman @niki_sperou @unisa.art @artssouthaus @carrick_hill #APartnershipForUncertainTimes #BradDarkson
#CreativeResearch #artScienceTechnology #intersections #possibleFutures
RELEASES 15 March :: Congratulations 👏👏👏 RELEASES 15 March :: Congratulations 👏👏👏 ANAT alumnus Philip Samartzis and thankyou for our gifts of your soon to be released cds and books! 

Philip's 'Atmospheres and Disturbances' is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland.

Philip used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. 

Over two Antarctic Arts Fellowships (2010, 2016) Philip made sound recordings of Casey, Davis and Macquarie Island stations, and RSV Aurora Australis. The Australian Antarctic Arts Fellowship has been running since 1984 and is supported by the Australian Antarctic Division with additional support provided by ANAT since 2017.

@philip.samartzis #PhilipSamartzis @ausantarctic #antarctica #australianAntarcticFellowship #AAD #artScienceTechnology #Antarctica #Humanist @festival.reflux
WATCH :: New Light 2022 💡 APPLY FOR :: New Lig WATCH :: New Light 2022 💡 
APPLY FOR :: New Light 2023.
In 2022 New Light featured Amala Groom, Daen Sansbury-Smith and Jaydenlee Tong, screening in July, at Adelaide Festival Centre as part of Illuminate Adelaide. 

We were delighted that New Light 2022 also screened at Purrumpa, a national gathering and celebration of First Nations arts and culture, held in Kaurna Yerta, presented by the Australia Council for the Arts.

CALL FOR APPLICATIONS for 2023 :: Showcasing experimental and diverse moving image works by First Nations artists, through a national call out, successful artists/artist groups will receive a fee of $2,000 (ex. gst) to produce the work, inclusive of artist fees, production costs and materials etc. All copyright will remain with the artist.

READ the guidelines and APPLY for New Light 2023 using the LINK in our BIO
Deadline: 3pm (ACDT), 8 March 2023.

WATCH New Light 2022 using the LINK in our BIO

Images: 1. Amala Groom, 'Myths & Legends: Britannia', (still) 2. Daen Sansbury-Smith 'Adja Country ARt', (still). Jaydenlee Tong, 'Tarndanyangga Dreaming',(still).

@amalagroom @adjaduraart @blackartprojects #JaydenleeTong @illuminateadelaide @adelaidefescent @auscouncilarts #Purrumpa #ANATalumni
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Email: [email protected]

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ANAT works on Kaurna Country. ANAT acknowledges and pays respects to the First Nations peoples of the land we call Australia. Aboriginal peoples are the Traditional Custodians and we recognise their continued cultural, spiritual and technological practices. We also acknowledge and pay respects to all First Nations peoples beyond Australian shores. As the very first storytellers, we understand that First Nations peoples hold invaluable knowledge and perspectives that are vital in the research, interrogation and development of traditional and emerging technologies, across both our physical and digital realms.

ANAT is assisted by the Australian Government through the Australia Council its arts funding and advisory body, by the South Australian Government through Arts SA and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.

ANAT works on Kaurna Country. ANAT acknowledges and pays respects to the First Nations peoples of the land we call Australia. Aboriginal peoples are the Traditional Custodians and we recognise their continued cultural, spiritual and technological practices.

We also acknowledge and pay respects to all First Nations peoples beyond Australian shores. As the very first storytellers, we understand that First Nations peoples hold invaluable knowledge and perspectives that are vital in the research, interrogation and development of traditional and emerging technologies, across both our physical and digital realms.