Contact | ANAT

Contact

ANAT

Office: L7, 144 North Terrace
Adelaide, SA 5000
PO Box 8029, Station Arcade
Adelaide, SA 5000
Postal: PO Box 8029
Station Arcade
Adelaide SA 5000
Phone: 61 (0) 8 8231 9037
Email: [email protected]

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ANAT ALUMNUS Dr Wade Marynowsky is an artist and r

ANAT ALUMNUS Dr Wade Marynowsky is an artist and researcher working collaboratively across art forms, including robotics, immersive and interactive performance and installation, music and video.

One of Wade's latest projects (featured image) is a series of prospective public artworks, proposing that renewable energy can be beautiful. 'Sun Bird' is rooftop solar solution, providing shelter and producing surplus power and light. Imagined by lead artist Wade and an interdisciplinary team called the Visual Energy Group, who are supported by the University of Technology Sydney.

ANAT worked with Wade in 2020 as an ANAT Ideate resident, when we asked 6 artists 'how can art and technology be transformative in the (post) pandemic world?' Wade created an answer in his own backyard! His work, 'AquaTronics', combined an aquaponics ecosystem and edible plants with a technological ecosystem to produce fish, food and art in the form of a live and living performance or installation. During this residency the seeds for the new Visual Energy group ideas came to life.

Drawing from renewable energy systems, computer science, art, music and architecture, the Visual Energy Group are Kaveh Khalilpour, Ian Stevenson, Sam Ferguson, Wade Marynowsky, David Pigram, Nico Pietroni and Dane Voorderhake.

Image: Wade Marynowsky and the Visual Energy Group, 'Sun Bird’, 2021.

Image description: Solar panels embedded into the top of the structure provide an alternative rooftop solar solution, in addition to producing surplus electricity 'Sun Bird' produces shade/shelter and night light, in the form of a large scale illuminated structure in the shape of a bird's outstretched wings. The vivid purple gradient in the wings perched at the top of a building set against a night sky with a full moon, highlight the need for artistically driven renewable energy solutions that can localise energy production and provide meaningful symbols of emissions reduction.

@wademarynowsky @utsengage #ANATideate2020 #wademarynowsky #RenewableEnergy #SunBird #VisualEnergyGroup

We're excited to support Old Ways, New to work wit

We're excited to support Old Ways, New to work with practitioners in the development of the Indigenous Protocols and Artificial Intelligence (IP//AI) Prototype in 2021.

IP//AI UNESCO: METHODOLOGY

Country Centred Design (CCD) was developed as an alternative to the human-centred design processes which preface the needs of humans above and beyond any other living being, element, entity and or natural system (Old Ways, New, 2016). The Indigenous-led process comprises four key cycles: culture, research, strategy and technology, reflecting the nature of our relationship with natural, complex systems. The CCD methodology has been tested in a variety of contexts and iteratively developed to be structurally flexible for utility while providing specificity as required. Indigenous knowledge systems, cultural practices and design principles guide the cyclic methodology, all the time prioritising and centering the needs of Country and respecting its agency and autonomy as an intelligent entity.

The first cycle, culture, begins by developing relationships with Traditional Custodians and their communities; utilising strategic stakeholder engagement practices which assist in building a cultural understanding of Country from deep time, colonial, post-colonial, present and future dreamings at the heart of the project. Adherence to the cultural protocol of beginning with appropriate Indigenous Custodian consultation brings the group under customary authority and guidance to ensure cultural integrity in project design.

For the IP//AI incubator project, the initial series of virtual workshops unfolded under Elder authority on Gadigal/Wangal lands (Sydney, Australia). Aunty Bronwyn Penrith (Wiradjuri/Yuin and Gadigal bloodlines) stewarded the work….

READ the Extended paper VIA LINK IN BIO

Authors:
Professor Angie Abdilla
Megan Kelleher
Rick Shaw
Dr Tyson Yunkaporta

"This shows we are about 93% Human! And part-bug… We are also Streptococcus mitis, Rothia mucilaginosa, Gemella haemolysans, Streptococcus pneumoniae (sounds scary!) and many other microbes we are yet to analyse (‘Other’ on the graph)!"

Over the past year ANAT SAHMRI resident Dr Helen Pynor and collaborator genomic scientist Dr Jimmy Breen, leader of the SAHMRI's Bioinformatics Platform have been exploring ideas around the liminality of DNA once it leaves its originating body.

Helen says "I’m excited that this graph shows a species breakdown of the DNA Jimmy and I extracted from our shared exhaled breath sample, data just compiled by Jimmy’s lab through genome sequencing."

"In the next stage of our work Jimmy will do a detailed analysis of all the genomic sequences of our sample, for a more precise picture of the origins of our heterogenous ‘interspecies’ DNA…”

As part of her residency Helen is compiling a dedicated creative research blog, documenting her research and artmaking process as it develops.

READ Helen's blog USING THE LINK IN OUR BIO

Image description: A line graph depicting the total quantity of DNA in the exhaled breath sample of Jimmy and Helen, broken down by species, with a 92.1% section in blue, nominated in the key below as 'Homo sapien'. The remaining smaller coloured areas of the graph are named as bacterial species 'Streptococcus mitis', 'Rothia mucilaginosa', 'Gemella haemolysans' and 'Streptococcus pneumoniae' along with 'Other' (species present in smaller quantities) and 'Unclassified' (DNA fragments that have not yet been assigned to a species).

#helenpynor @helenpynor @gammyknee #auscouncilarts #ArtistResidencies #research #RandD #ResearchAndDevelopment #experimentation #collaboration #creativity #innovation #diversity #SAHMRI #ArtScience #AnatAlumni #ANATsahmri @dominikmerschgallery #dna #speculative

New Light ONLINE & SUMMER SEASON. Presented by Ill

New Light ONLINE & SUMMER SEASON. Presented by Illuminate Adelaide and ANAT, we are pleased to share an online iteration of New Light 2021. The original screening of the works had been disrupted due to Covid-19, so we are excited to finally bring you New Light online!

WATCH New Light using the LINK IN OUR BIO

We are also thrilled to announce that New Light 2021 will be re-screening at the Adelaide Festival Centre media screens this coming Adelaide festival summer season! From Friday 18 February to Sunday 20 March 2022 you will be able to experience the work in-situ. It will be the perfect opportunity to experience the large-scale setting as intended. A free, family -friendly event not to be missed. Make sure you add this to your festival calendar this summer!

New Light 2021 showcased a selection of experimental and diverse moving image works by contemporary First Nations artists. Through a national call out, New Light featured commissioned work that explored compelling and complex concepts. The artworks were displayed on the media screens at the entrance to the Adelaide Festival Centre during the Illuminate Adelaide.

Many thanks to the featured artists Lyndon Davis, Jasmine Miikika Craciun and Ryan Andrew Lee.

Image: Lyndon Davis, Beeyali (still), 2021.

@ryan_andrew_lee @kik_design_ #lyndondavis #NewLight @IlluminateAdelaide @adelaidefescent #innovation #art #technology #light #MovingImage #FirstNationsAustralia #AlwaysWasAlwaysWillBe

CALLING FOR APPLICATIONS :: 2022 ANAT Synapse Resi

CALLING FOR APPLICATIONS :: 2022 ANAT Synapse Residency.
We’re calling for applications from artists and scientists for our prestigious Synapse Residency program, which, since 2004, has enabled research collaborations between more than 100 artists and scientists.

In her 2021 ANAT Synapse residency Dr Svenja J Kratz immortalised fibroid cells isolated from a large fibroid tumour, taken from her uterus in 2020, as part of her project 'Posthuman Genetic Legacies'.

Working with host researchers Associate Professor Brad Sutherland, School of Medicine, UTAS + Associate Professor Jane Nielsen, Centre for Law and Genetics, UTAS + Distinguished Professor Dietmar W. Hutmacher, Centre in Regenerative Medicine Group, QUT, Svenja examined the scientific potential and legal implications of securing alternative genetic offspring via biotechnological intervention.

Deadline: 16 February 2022, 5PM (ACDT)
FOR MORE details & to APPLY USE THE LINK IN OUR BIO

ANAT Synapse is made possible through the generous support of the Copyright Agency’s Cultural Fund.

Images: 1. 2021 ANAT Synapse resident Svenja J Kratz, Tumour Baby cells – thawed 10/9/21 – viewed 13/9/21
2. 2021 ANAT Synapse resident Svenja J Kratz, 'Self-portrait #2: Site of Infection', 2019. Mixed media: wax, porcelain polymer clay, water vapour containing the DNA of the artist, electrical components. Installation view, Plimsoll Gallery. Photograph Remi Chauvin.

Image descriptions: 1. Multiple microscopic fibroid cells, appearing as glowing thin elongated shapes against a purple background.
2. Set against a black background, the white sculpted bust of a woman exhales a plume of vapour.

#AnatAlumni #CopyRightAgency @SvenjaKratz #ANATsynapse #CopyrightAgencyCulturalFund @AusCouncilArts #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research #experimentation #collaboration #creativity #innovation #diversity #inclusivity

We're excited to support Old Ways, New to work wit

We're excited to support Old Ways, New to work with practitioners in the development of the Indigenous Protocols and Artificial Intelligence (IP//AI) Prototype in 2021.

IP//AI UNESCO: GLOSSARY

It is necessary to include a glossary for two reasons. Firstly, for clarity of terminology - not because the terms used are unfamiliar, but because they mean different things within different cultural contexts and disciplines. For example, what ‘protocol’ means to Indigenous people is likely to be entirely different within a computer science environment (eg. refer Australian Human Rights Commission 2021, p. 17; and Mattingly-Jordan et al, n.d.). Therefore, this glossary serves a function more akin to disambiguation than establishing a single semantic interpretation of terms.

In so doing, this glossary performs its second function within this text: demonstrating the instantiation of two coded ontologies - one ethnocultural and another digital, and the need for a process to intermediate and align these codes. It is also honouring an Indigenous Australian principle: a common protocol when groups with different codes meet is that the participants will establish their languages and agree on the standards that will be in place during the ritual of exchange…

READ the Extended paper VIA LINK IN BIO

Authors
Professor Angie Abdilla
Megan Kelleher
Rick Shaw
Dr Tyson Yunkaporta

We owe much gratitude and kudos to ANAT alumnus Dr

We owe much gratitude and kudos to ANAT alumnus Dr Mary Rosengren, an artist researcher known for multidisciplinary installation work in projection and print media. Mary's practice is characterised by residencies and research in urban industrial sites, field trips to extreme natural environments, and scientific collections and research facilities in Australia and the UK.

ANAT first worked with Mary during her 2011 ANAT Synapse residency with her host partner CSIRO Discovery to research the relationship between biological collections in Australia’s National Research Collections.

Mary collaborated with CSIRO Discovery’s director Cris Kennedy to instigate and co-curate the inaugural symposium Spectra 2012: images and data in art/science. Six years later ANAT and partner University of South Australia hosted SPECTRA 2018 in Adelaide, showcasing research and creative work through art and science collaboration. Next year, ANAT SPECTRA 2022 will continue the legacy Mary instigated.

The research of images, processes and interactions of dynamic systems has taken Mary into vegetation of extreme environments of Lake Mungo NSW, Cairngorm Mountains, Scotland and the Antarctic Peninsula. In a 2019 residency at University of Wollongong she collaborated with both Dr Jo Law (TAEM) and the Janet Cosh Herbarium Archive to curate the project re-site: levels of inquiry. Mary is currently researching the peatlands of the Bogong High Plains and developing partners for a global peatlands project.

The ANAT alumni is a network of hundreds of artists, scientists and technologists. A lifelong community of remarkable, diverse and engaged professionals.

Image: 02 Cabinet 223 (ANWC), Archival print, 50 x 50 cm —Spectra series CSIRO/ ANRC 2012. M Rosengren 2012

Image description: A spectrum of small yellow and green feathers with overlaid annotations in tiny black type describing particular colours. From the CSIRO's Australia’s National Research Collections.
#MaryRosengren #AnatAlumni #CopyRightAgency @csirogram @cwbkennedy @universitysa

#ANATspectra2022 #ANATsynapse #CopyrightAgencyCulturalFund @AusCouncilArts #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research

We’re excited to support Old Ways, New to work w

We’re excited to support Old Ways, New to work with practitioners in the development of the Indigenous Protocols and Artificial Intelligence (IP//AI) Prototype in 2021.

IP//AI UNESCO: INTRODUCTION
Indigenous peoples’ connection to the physical, spiritual and sentient worlds are based upon ontologically and epistemologically divergent frameworks, including sensing and presencing. These complex, relational connections to Country and kinship networks simultaneously align us, while also shaping our discrete cultural identities through Indigenous laws, languages and protocols determined by the nature of Country itself. As Indigenous peoples, we make sense of the world and act as its custodians by following the Law of the land. This guides our lives and work, not only when we’re out on the rivers and plains, but also when we are working online to create an approach to the conceptual design and software engineering principles within AI. Through Indigenous governance, standards and protocols we hope to contribute to the evolution of technology, its philosophy and engineering methodologies by prioritising and centring Country within automated systems and machines. Through the linkage of Indigenous techno philosophies to sector standards and best practices, a more equitable and healthy relationship between Country, humans and technology may be possible.

From an Indigenous worldview that privileges communal wellbeing, wholeness and balance, we explored Western cultural notions of ‘intelligence’ within AI to begin creating an alternate conceptual foundation - principles and processes that support our future dreamings of AI. This foundation is informed by what we call our ‘old ways’, or Traditional knowledge systems, in which technology design precedents embody relational connections between Country and kin....

READ the Extended paper VIA LINK IN BIO

Authors
Professor Angie Abdilla
Megan Kelleher
Rick Shaw
Dr Tyson Yunkaporta

We’re excited to support Old Ways, New to work w

We’re excited to support Old Ways, New to work with practitioners prototyping with the Indigenous Protocols and Artificial Intelligence (IP//AI) in 2021.

IP//AI UNESCO: BACKGROUND
The Indigenous Protocols and Artificial Intelligence (IP//AI) Incubator - spawned out of the international cohort and work established in 2018 (Lewis et al, 2020) - brought together a discrete group of Australian Indigenous peoples to further some of the key insights garnered from this prior work. One of the key insights identified was the need to progress toward the materialisation of a practical and tangible format that reflected Indigenous peoples' future dreaming of what AI could become, presented to the broader global AI community. Another key insight revealed the need for the work to be grounded by our relational connections to diverse territories as Indigenous peoples worldwide and based upon these discrete cultural identities.

The third iteration of the IP//AI work took the form of an incubator. We invited a diverse group of Australian Aboriginal researchers, professionals and practitioners to commune virtually online as we facilitated a regional approach to the work. We specifically prefaced localised cultural knowledges, systems and protocols, perspectives, environmental needs and social conditions relating to this continent, intentionally seeking to reveal what an Australian Aboriginal AI could become. We aimed to achieve this through experimentation and prototyping how our protocols could deliver alternatives to the usual desired outcomes of automation.

READ the Extended paper VIA LINK IN BIO

Authors
Professor Angie Abdilla
Megan Kelleher
Rick Shaw
Dr Tyson Yunkaporta

‘It’s somehow people who come together to form

‘It’s somehow people who come together to form communities, those communities might be virtual, you know, your community might be online. And we look at things that happened where people set up Facebook groups, or they set up a local community garden, or they set up, you know, some kind of other market or whatever it might be. They’re not all necessarily in the same geographic area, people come in and out of those spaces. So, it’s very fluid, the way communities can be set up or can be regarded. So, I think that communities can be multiple, and you can be a part of many different communities at the same time."

EXCERPT from 'In the Time of Refuge, a collection of writings and reflections on art, disaster and communities' edited by ANAT SPECTRA 2022 Curator David Pledger and Nikos Papastergiadis.

This NEW collection of writings created in response to Refuge, is an artistic inquiry into the relationships between climate change, emergency services and community. From 2016-2021, Refuge morphed from an exercise in speculative sci-fi to a living handbook for how to operate and behave in the gnarly, unpredictable present we now find ourselves in.

FOR MORE DETAILS visit https://bit.ly/3CFA6bT

Commissioned by Arts House Melbourne and the Research Unit of Public Cultures, Melbourne University, In the Time of Refuge, is an online collection of reflections, interviews and essays on art, disaster and communities from associated artists, elders and producers.

Image: Lorna Hannan and Uncle Larry Walsh pictured in Ruth Crow Corner, Refuge 2017:
Heatwave. Photo by Bryony Jackson.

Image description: Two elders stand side-by-side between two small eucalypt trees. There is a large cut-out of a black crow above them. The woman on the left wears a red jacket, has white hair and is clasping several red books. An Aboriginal man on the right wears a black and red checked jacket, has a long white beard, a red beanie with the Aboriginal flag and is holding a white tea cup.

@not_yet_its_difficult @artshouse @unimelb #ANATspectra2022 #DavidPledger #multiplicity #SustainableFutures #InTheTimeOfReguge

CALL FOR APPLICATIONS :: 2022 ANAT Synapse Residen

CALL FOR APPLICATIONS :: 2022 ANAT Synapse Residency.
We’re calling for applications from artists and scientists for our prestigious Synapse Residency program, which, since 2004, has enabled research collaborations between more than 100 artists and scientists.

ANAT Synapse involves Australian research organisations hosting artists in residence, leading to profound artistic and professional development for the participants, while also building a sustainable support base for interdisciplinary creative collaboration in Australia.

Deadline: 16 February 2022, 5PM (ACDT)
FOR MORE details & to APPLY USE THE LINK IN OUR BIO

ANAT Synapse is made possible through the generous support of the Copyright Agency’s Cultural Fund.

Images: 1. 2021 ANAT Synapse resident Svenja J Kratz, 'Self-portrait #2: Site of Infection', 2019. Mixed media: wax, porcelain polymer clay, water vapour containing the DNA of the artist, electrical components. Installation view, Plimsoll Gallery. Photograph Remi Chauvin.
2. Svenja J Kratz, Tumour Baby cells – thawed 10/9/21 – viewed 13/9/21

Image description: Set against a black background, the white sculpted bust of a woman exhales a plume of vapour.

#AnatAlumni #CopyRightAgency @SvenjaKratz #ANATsynapse #CopyrightAgencyCulturalFund @AusCouncilArts #AusCouncilArts #ArtScienceTechnology #ArtistResidencies #research #R&D #Research&Development #experimentation #collaboration #creativity #innovation #diversity #inclusivity

We’re excited to support Old Ways, New to work w

We’re excited to support Old Ways, New to work with practitioners prototyping with the Indigenous Protocols and Artificial Intelligence (IP//AI) in 2021.
IP//AI UNESCO: ABSTRACT
In this paper we share our journey starting with an international group of Indigenous technologists at the inaugural workshop series in Hawaii in 2019, leading to the IP//AI Incubator in March, 2021.

Key learnings from the foundations of these works were the need for Indigenous AI to be regional in nature, conception, design and development, to be tethered to localised Indigenous laws inherent to Country, to be guided by local protocols to create the diverse standards and programming logic required for the developmental processes of AI, and to be designed with our future cultural interrelationships and interactions with AIs in mind.

Through Country Centered Design we established some broad principles and protocols and then moved towards a test case, running some preliminary trials applying an Aboriginal kinship system as a selection framework in genetic computing. Our findings throughout this process were encouraging, indicating that there is potential for Indigenous Knowledge to guide the design and engineering principles and practices of AI, bridging the current ontological and epistemological divides between machines, humans and the environment…

READ the Extended paper VIA LINK IN BIO

Professor Angie Abdilla is a palawa~trawlwoolway designer/technologist, CEO of Old Ways, New and is a member of the Global Future Council on Artificial Intelligence for Humanity for the World Economic Forum.
Megan Kelleher belongs to the Baradha and Gabalbara peoples is a PhD Candidate investigating blockchain and Indigenous governance.
Rick Shaw is a Gamillaroi mathematician.
Dr Tyson Yunkaporta is a boy who belongs to the Apalech clan from Far North Qld, author, Indigenous researcher and the founder of the Indigenous Knowledge Systems Lab, NIKERI, Deakin University.

Thank you @farrin_f for your feature on ANAT's ama

Thank you @farrin_f for your feature on ANAT's amazing First Nations Program Producer, @dearnaj

In high school Dearna did not believe science could possibly be part of her future. For more than a decade, the Kaurna and Narungga events producer has steadily climbed the ladder at some of SA’s most respected arts organisations. Producing large-scale, innovative events and including marginalised voices at Adelaide Fringe, UniSA’s Museum of Discovery (MOD), multidisciplinary experience design studio Sandpit and ANAT.

“I was able to actively deconstruct and decolonise what I think artists and scientists are,” Dearna says. “Now, I’m embracing all of those perspectives and understanding how they can inform each other, and how reciprocal their nature can be.”

“This is where the conversation is going moving forward,” she says. “I really want to be able to change things up in those sorts of spaces, which are only really usually made for certain people… everyone should be able to be part of that conversation.”

READ the whole story USING THE LINK IN OUR BIO

Image: Dearna Newchurch

Image description: A young woman gazes, smiling at the viewer. The portrait features her head and shoulders, with a muted green landscape in the background.

@dearnaj #firstnationsaustralia #aboriginalculture #indigenousaustralia #reconciliation @wearesandpit @mod_museum @adlfringe #experimentation #collaboration #creativity #innovation #diversity #inclusivity #respect #alwayswasalwayswillbe #alwayswillbe @auscouncilarts #auscouncilarts

ONLINE EVENT :: AAANZ Conference: IMPACT We're del

ONLINE EVENT :: AAANZ Conference: IMPACT We're delighted ANAT alumni & residents will be starring in Panel 75, 'Impact of exchange: Axis of collaboration between the arts and sciences' at The Art Association of Australia and New Zealand 2021 conference. Featuring speakers Dr Erica Seccombe, Dr Helen Pynor, Dr Jimmy Breen, Dr Svenja J. Kratz, Dr Baden Pailthorpe, Tony Curran & Gregory Minissale. 8-10 December

Register at https://bit.ly/30V9Lso

Image: Dr Helen Pynor and Dr Jimmy Breen, documentation, testing the collection of a shared breath sample using the R-tube device. Exhaled DNA will later be extracted and sequenced. 2021. Image courtesy of the artist. ANAT SAHMRI residency, Adelaide, 2021.

Image description: Two people face each other side-on, gripping a medical breathing tube and inhaling simultaneously. The image is closely cropped around their faces and chests, both wear black t-shirts and have dark hair.

#helenpynor @helenpynor @gammyknee @ejseccombe @badenpailthorpe @svenjakratz #aaanz #auscouncilarts #ArtistResidencies #research #RandD #ResearchAndDevelopment #experimentation #collaboration #creativity #innovation #diversity #SAHMRI #ArtScience #AnatAlumni #ANATsahmri @dominikmerschgallery #dna #speculative

regramming these divine images by @triciakingphoto

regramming these divine images by @triciakingphoto of Lyndon Davis' 'Beeyali', at the closing performance of #FloatingLand2021

'Beeyali' was first presented at New Light earlier this year. Visualising the calls of black and white cockatoos on Kabi Kabi Country, 'Beeyali' uses cymatics, the science of visualising acoustic energy or sound. Lyndon's work with collaborators Leah Barclay & Tricia King, features a series of experiments using new technologies and different environmental materials to reveal cymatics, including ochre and water. Beeyali is a Kabi Kabi word meaning ‘to call’.

Lyndon is an internationally acclaimed Aboriginal artist, educator and cultural performer. Lyndon was born and raised on the Sunshine Coast, and is a Traditional Custodian and representative of the local Gubbi Gubbi / Kabi Kabi people.

Proudly presented by Illuminate Adelaide and ANAT, as part of the Adelaide Festival Centre Moving Image program, 'New Light' showcased experimental and diverse moving image works by contemporary First Nations artists. 'New Light' featured Jasmine Miikika Craciun, Lyndon Davis and Ryan Andrew Lee.

Image description: Standing knee deep in the ocean at sunset, a silhouetted figure plays the didgeridoo. Behind them projected onto a simple flag-like screen in the twilight, are concentric circles of yellow and blue.

#lyndondavis @leahbarclay @triciakingphoto #AlwaysWasAlwaysWillBe #NewLight @illuminateadelaide @adelaidefescent #innovation #art #technology #light #MovingImage #FirstNationsAustralia

ANAT SPECTRA Multiplicity :: POSTPONED. With much

ANAT SPECTRA Multiplicity :: POSTPONED. With much care and consideration, ANAT has decided to postpone our biennial national platform, ANAT SPECTRA, to 2022.

Rather than a quick pivot to online delivery, we believe in the importance of gathering in-person, of bringing our network together. So, in the interests of community safety and in acknowledgement of current restrictions, we've chosen to present our flagship event next year. Our network is ANAT's heart.

We aim to bring to the table in 2022 a program that will make the wait worthwhile and enjoy it face-to-face, side-by-side, on and off-screen.

For more details USE THE LINK IN OUR BIO
& visit spectra.org.au

Image: Still from Choreographic Camouflage Directed and Designed by Liam Young, Choreography by Jacob Jonas, Performed by Jacob Jonas The Company.

Description: A figure standing alone on the top of a building, blurs in a dance-like movement of kaleidoscope colour.

@scigallerymel @unimelb @not_yet_its_difficult @leonardoisast @typecastent @liam_y
@AusCouncilArts @ArtsSouthAus @ttwd.next #ANATspectra2022 #DavidPledger #multiplicity #HybridEvents #AusCouncilArts #ArtSci #ArtTech #ArtScienceTechnology #SustainableFutures