Publications

Since 1988, ANAT has directly connected with an ever-growing community of artists, technologists, designers, researchers, writers, curators and educators through our offline and online publications. Reaching a global audience for over three decades - from our earliest ANAT bulletins to Filter, our thematic quarterly magazine, up to our present day Digest – you can read our publishing history here. To receive our monthly email Digest direct to your in box, you can subscribe here.

ANAT Digest

SIGN UP TO OUR MONTHLY DIGEST to stay in touch and keep informed about industry opportunities, news and events. Read our latest issues here:

Greg Harm. Collaborative project on the Maranoa Riverbed directed by Russell Craig and Vicki Saunders. JULY 2025 Yandell Walton, Uprise, 2019, 4 channel projection installation with sound by Michele Vescio. Photograph Matthew Stanton JUNE 2025 2025 AD, Not Yet It’s Difficult, digital avatar. MAY 2025 Philip Samartzis, Jungfraujoch, image courtesy the artist. APRIL 2025 Chris Henschke, analog laptop reactivation of the semi-obsolete CLIC accelerator test facility, photograph Chris Henschke. MARCH 2025 2025 ANAT Synapse resident James Nguyen, photograph Nguyen Thi Kim Nhung. FEBRUARY 2025 ANAT Synapse Fellow Chris Henschke at CERN. DECEMBER 2024 Crystal Palace: The Great Exhibition of the Works of Industry of all Nuclear Nations (2013), Ken + Julia Yonetani. Metal, UV lighting, Uranium Glass, dimensions variable (31 chandeliers). Image courtesy the artists and Mizuma Art Gallery, Tokyo and Singapore, photo by Julia Yonetan NOVEMBER 2024 2024 ANAT Synapse resident, Keith Armstrong, Analog Intelligence, 2023, (still) 4k video loop, Render created from Lidar (laser scan) aerial and terrestrial data set of the site. OCTOBER 2024 CERN's Large Hadron Collider, 2014, photograph Chris Henchke. SEPTEMBER 2024 AUGUST 2024 JULY 2024 JUNE 2024 MAY 2024 APRIL 2024 MARCH 2024 FEBRUARY 2024 DECEMBER 2023 NOVEMBER 2023 2023 ANAT Synapse resident, Ross Manning, material fluorescing under the UV light, making visible the creases and undulations as air passes underneath. OCTOBER 2023 2023 ANAT Synapse resident, Alicia Sometimes, 2023 ANAT Synapse resident, Dark Energy, image courtesy the artist. SEPTEMBER 2023 Chantel Bates, Echoes, 2023 outside the Adelaide Festival Centre. Photograph Topbunk AUGUST 2023 JULY 2023 Deirdre Feeney, Perceptual illusions, work-in-progress at the micro-machining lab, Australian National Fabrication Facility (ANFF-SA). Photograph Taylor Parham. JUNE 2023 Jonathon Saunders, Zero-Point, 2018. MAY 2023 ANAT SPECTRA 2022, The Capitol, RMIT University, Sensing Environments, Leah Barclay, Tricia King, David Harris and Lyndon Davis (Gubbi Gubbi). Photograph Elliott Bledsoe. APRIL 2023 Amala Groom, dhaagun ngiyanhigin.gu nganhundhi (the land owns me), 2018 March 2023 Peter Morse, rendered in Unreal Engine Post-production: various source data: various Cesium, Mapbox, OpenStreetMap February 2023 Niki Sperou, ‘Apparently it’s a thing’, 2022 December 2022 Opensource Starlink Tracker. Courtesy 2022 ANAT Synapse resident Anna Madeleine Raupach. November 2022 KāLEWA, 2018 (still) Written and Directed by Mitchel Viernes - Kama’aina,15 mins October 2022 BoneDirt immersive installation and performance (V Barratt, Jesse Boylan, Linda Dement), Big Anxiety Festival 2019, Esme Timbery CPL, UNSW. Performance photograph Cynthis Sciberras September 2022 Cobotic-Improvisations ABB ARM Hub courtesy 2022 ANAT Synapse resident Steph Hutchison. August 2022 2022 New Light featured artist Jaydenlee Tong, ‘Tarndanyangga Dreaming’ July 2022 2022 ANAT Synapse resident Anna Madeleine Raupach, Standard Stars, 2020, laser-etched mirrors, LED lights. June 2022 MEEP artist in residence from 2089. Photograph Sarah Walker. May 2022 Melissa DeLaney, ANAT CEO. Photograph Sia Duff. April 2022 Liam Young, 'Camouflage Choreography' (2021) (still). Dance performance film. 5 min. Courtesy the artist March 2022 SPECTRAvision 5 online episodes February 2022 Two people face each other side-on, gripping a medical breathing tube and inhaling simultaneously. The image is closely cropped around their faces and chests, both wear black t-shirts and have dark hair. Dr Helen Pynor and Dr Jimmy Breen, documentation, testing the collection of a shared breath sample using the R-tube device. Exhaled DNA will later be extracted and sequenced. 2021 December 2021 A figure standing alone on the top of a building, blurs in a dance-like movement of kaleidoscope colour. Still from Choreographic Camouflage Directed and Designed by Liam Young, Choreography by Jacob Jonas, Performed by Jacob Jonas The Company. November 2021 A digital rendered illustration of the ice breaker Aurora Australis, moving through the ocean on a starry night. Wild System, Aurora Australis Ultimo Choro, 2021 October 2021 A digitally enhanced young person gazes up at the sky. Artwork by Dr Robert Walton Dr Robert Walton Child of Now. Concept image by Xavier Irvine. September 2021 Paul Brown & Linda Dement, The Heart Project 2021 Gentile Research Group, UTS 1. Cardiac spheroid with endothelial cell network that extends from the bioprinted cardiac spheroid into the hydrogel. Paul Brown & Linda Dement, The Heart Project 2021 Gentile Research Group, UTS 1. Cardiac spheroid with endothelial cell network that extends from the bioprinted cardiac spheroid into the hydrogel. August 2021 Andrea Rassell, Still from The Society of NanoBioSensing, Scanning Electron Microscopy image of prostate tumour cells with ZIF-8 Andrea Rassell, Still from The Society of NanoBioSensing, Scanning Electron Microscopy image of prostate tumour cells with ZIF-8 July 2021 Ian Potter Southbank Centre. Photograph Trevor Mein, 2019. Ian Potter Southbank Centre. Photograph Trevor Mein, 2019. June 2021 Ryan Andrew Lee, Resurgence (still), 2021 Ryan Andrew Lee, Resurgence (still), 2021 May 2021 Dr Svenja J Kratz, Self-portrait #2: Site of Infection, 2019, Mixed media: Wax, cold porcelain, stainless steel, water containing DNA of the artist and electrical components. Installation view: Plimsoll Gallery, Hobart. Photograph Rémi Chauvin. Dr Svenja J Kratz, Self-portrait #2: Site of Infection, 2019, Mixed media: Wax, cold porcelain, stainless steel, water containing DNA of the artist and electrical components. Installation view: Plimsoll Gallery, Hobart. Photograph Rémi Chauvin. April 2021 Brad Darkson, Palm Valley, 2015, multimedia installation, resin, acrylic, light box, sound duration 5:09sec. Brad Darkson, Palm Valley, 2015, multimedia installation, resin, acrylic, light box, sound duration 5:09sec. March 2021 2021 ANAT SPECTRA 2021 Program Curator David Pledger. Photograph Kyung Na. 2021 ANAT SPECTRA 2021 Program Curator David Pledger. Photograph Kyung Na. February 2021 Deirdre Feeney, 12-sided polygon, nano-lathe cut facets, 3D-printed PLA jig, 2020. Image courtesy the artist. Deirdre Feeney, 12-sided polygon, nano-lathe cut facets, 3D-printed PLA jig, 2020. Image courtesy the artist. December 2021 Alicia Sometimes, Particle Wave, Cloud Chamber. Image Andrew Watson. Alicia Sometimes, Particle Wave, Cloud Chamber. Image Andrew Watson. November 2020 2020 ANAT Synapse resident Deidre Feeney, Ghost in the Machine, 2019, glass, steel, aluminium, 3D printed carbon fibre nylon, LED, motor, gear box,PCB, acetate, dimensions variable. Photo credit : Andrew Sikorski. 2020 ANAT Synapse resident Deidre Feeney, Ghost in the Machine, 2019, glass, steel, aluminium, 3D printed carbon fibre nylon, LED, motor, gear box,PCB, acetate, dimensions variable. Photo credit : Andrew Sikorski. October 2020 2020 Australian Antarctic Arts Fellow Janet Laurence in the studio Photograph Felicity Jenkins 2020 Australian Antarctic Arts Fellow Janet Laurence in the studio Photograph Felicity Jenkins September 2020 ANAT Ideate resident Wade Marynowsky,Yesterday’s Futurist, (Self Portrait with Lightsaber), 2017. Image courtesy the artist. ANAT Ideate resident Wade Marynowsky,Yesterday’s Futurist, (Self Portrait with Lightsaber), 2017. Image courtesy the artist. August 2020 ANAT SAHMRI resident Helen Pynor, The End is a Distant Memory (detail), 2016. Video stills (time-lapse microscopy of chicken fibroblast cells). ANAT SAHMRI resident Helen Pynor, The End is a Distant Memory (detail), 2016. Video stills (time-lapse microscopy of chicken fibroblast cells). July 2020 Baden Pailthorpe, Clanger (longitude, latitude, decibels), 2018. Installation view, UTS Art, Sydney. Courtesy of the artist and Sullivan+Strumpf. Photo: Jessica Maurer Baden Pailthorpe, Clanger (longitude, latitude, decibels), 2018. Installation view, UTS Art, Sydney. Courtesy of the artist and Sullivan+Strumpf. Photo: Jessica Maurer June 2020 SAHMRI photograph Meghan Coles. Image courtesy SAHMRI. SAHMRI photograph Meghan Coles. Image courtesy SAHMRI. May 2020 Geoff Cobham, Between Light, Zephyr Quartet. Photograph Heath Britton Geoff Cobham, Between Light, Zephyr Quartet. Photograph Heath Britton April 2020 Niki Sperou, Green Plastic – Blue Ocean (2020), marine biopolymer material. Photograph Niki Sperou. Niki Sperou, Green Plastic – Blue Ocean (2020), marine biopolymer material. Photograph Niki Sperou. March 2020 Passing icebergs a few days out from Davis Station. Photograph courtesy Wild System. Passing icebergs a few days out from Davis Station. Photograph courtesy Wild System. February 2020 Trish Adams, Synapse Residency 2019, Neuronal-processes-green-extending-from-human-stem-cell-derived-neurons, Dottori laboratory. Image courtesy Associate Professor Mirella Dottori, University of Wollongong. Trish Adams, Synapse Residency 2019, Neuronal-processes-green-extending-from-human-stem-cell-derived-neurons, Dottori laboratory. Image courtesy Associate Professor Mirella Dottori, University of Wollongong. January 2020 ANAT SALON Sydney, event photographs Zan Wimberley. ANAT SALON Sydney, event photographs Zan Wimberley. December 2019 2019/20 Antarctic Arts Fellows, Dr Adam Nash and Dr John McCormick, in the studio. 2019/20 Antarctic Arts Fellows, Dr Adam Nash and Dr John McCormick, in the studio. November 2019 Justin-Harvey, One and A Half, 2011, GLI.TCH 2011 Chicago and Amsterdam. October 2019 Justin Harvey, Saturn Return, ISEA 2019, Asia Culture Centre, South Korea. September 2019 James Geurts, Trajectories II: Prebiotica . 2019. 20 x 20 x 4cm, Light box. Prebiotic material on silica-gel glass plate, carbon marks, CSIRO Lab August 2019 Leah Heiss, Facett (2018) designed by Leah Heiss for Blamey Saunders hears. Photographer Matt Harvey. July 2019 Chris Henchke, Song of the Phenomena June 2019

Filter Magazine

First published as the ANAT Bulletin in July 1988, Filter reached a global network of artists, designers, curators, researchers, writers, educators and creative and research organisations over two decades. Each issue thematically investigated an area of emerging practice or art form and explored the creative connections occurring across academia, community and industry.

Filter magazine was published in printed form until 2009, and was published regularly online until 2012.

filter.anat.org.au