ANAT’s certificate of incorporation. 1988 :: Hello world! Virginia Barratt and Adam Boyd, Dada Do, Eyeline Art Magazine Launch, School of Arts Building, 15 May 1987, Brisbane (photograph Jose Macalin) 1989 :: National Summer School program Wendy Mills, memories of next easter, (1990), installation of transparent cibachromes and recorded sound, 400 x 400 x 400 cm (sound by Stephen Leek and VoiceArt) 1990 :: Towards a New Aesthetic Joyce Hinterding, Siphon, 1991, detail. Photograph Ian Hobbs 1991 :: Art Research and Development Fund Tim Gruchy, Video portrait (1982) – still, (video synthesis by Stephen Jones, photograph by Pam Greet) 1992 :: TISEA Troy Innocent, Idea-ON>! (detail), 1992, Database of experience, CD-ROM 1993 :: The Great Australian
Science Show Alyson Bell, Here I Sit (still), 1996. 8 minutes. Poetry by Sandy Jeffs 1994 :: Computer Aided Art and Design Conference-goers exploring The User Unfriendly Interface by Josephine Starrs and Leon Cmielewski 1995 :: Australasian Interactive Multimedia Industry Association Francesca da Rimini, Ricardo Dominquez and Michael Grimm, Dollspace (1995) – still 1996 :: Interactive Nation CODE RED, exhibition program cover (1997) 1997 :: CODE RED Linda Dement, Cyberflesh Girlmonster (1995) 1998 :: FOLDBACK Christian Thompson, Urban Murri’s (1999), digital images, raffia, magpie feathers 1999 :: National Indigenous School in New Media Art ANAT Team 2000: Charity Bramwell, Amber Carvan, Michael Shanahan & Amanda McDonald Crowley. 2000 :: Alchemy Justine Cooper with Dr Jim Bonacum during her residency at the Museum of Natural History, New York (photograph Joey Stein) 2001 :: Scientific Serendipity Hossein Valamanesh, Longing belonging (1997) colour positive print, 99 x 99cm. Photograph Rick Martin. 2002 :: BORDERPANIC Mari Velonaki, Fish-Bird: Circle B – Movement C (2004–06), Interactive installation with two autonomous robots and distributed data fusion system. Installed at ARoS Aarhus Art Museum, Denmark, 2009 (photograph by Paul Gosney Photography) 2003 :: Synapse Craig Walsh, Temporary Lodgings (2004), digital animation and stereo sound (3-minute loop), installed in Rundle Street, Adelaide 2004 :: Luminosity Create_Space participant Matt Gardiner working out communication between his phone and processing 2005 :: Create Space Ian Haig, Liberv rel reguli, 2005 2006 :: Media State Forum Michael Yuen, Black Tee prototype developed during reSkin 2007 :: reSkin Leah Heiss, Diabetes Jewellery (2008) (photograph Narelle Sheean) 2008 :: Trilogy of Artist Residencies Jill Scott, The Electric Retina (2008), interactive sculpture, 200 x 120 x 80 cm 2009 :: SUPERHUMAN Dome Lab participants, 2010 2010: Dome Lab 2010 Thom Buchanan, Detour 27 (2011), video/animation – still 2011 :: Portable Worlds MakerBot Replicator Original, the first desktop 3D printer. 2012 :: 3D Printing Ryoji Ikeda, test pattern [no.5], 2013, audiovisual installation at Carriageworks. Commissioned and presented by Carriageworks and ISEA2013 in collaboration with Vivid Sydney. Photograph Zan Wimberley. 2013 :: ISEA2013 Leah Barclay, River Listening Synapse Feature, 2014 2014 :: Synapse Residency Program Cat Jones, Somatic Drifts (2014), installation view (sound design Melissa Hunt) 2015 :: The Art of Pain Daniel Savage, Daniel – Quadraplegic / Will you ever get better? 2014 No offense, but… 1-16 (of 18). Inkjet prints, 50 x 70cm 2016 :: UNFIXED.2 Martin Walch, Terra-Antarctica_Time-panorama_Mawson_Station_60 days_20171208- 20180205, (2017-18) – still courtesy of the artist. 2017 :: Australian Antarctic Division & CSIRO Michaela Gleave’s performance A Galaxy of Suns featured a 33-part local choir ‘singing’ the stars. Photograph Sia Duff 2018 :: SPECTRA