Jaydenlee Tong (still) 2022, Tarndanyangga Dreaming. Image courtesy of the artist.

NEW LIGHT 2022

New Light 2022 will showcase experimental and diverse moving image works by First Nations artists.

Presented by Illuminate Adelaide and the Australian Network for Art + Technology (ANAT), and following a national call out, NEW LIGHT will feature commissioned work that explores compelling and complex concepts. 

NEW LIGHT will be screening everyday and evening 1-31 July, at the Adelaide Festival Centre media screens, as part of Illuminate Adelaide. 

This year we are delighted to welcome three successful artists commissioned for NEW LIGHT 2022!

Amala Groom, Daen Sansbury-Smith and Jaydenlee Tong

Amala Groom photograph Penelope Benton, Daen Sansbury-Smith and Jaydenlee Tong.

AMALA GROOM’S work Myths & Legends: Brittania (abridged) is a single channel moving image work that iterates Groom’s Popular Sovereignty poster from her series Myths & Legends (2022) into a piece of site specific performance art positioning the poster alongside the artist in front of Buckingham Palace.

Across western ‘thinking’ the Aboriginal experience of transdimensionalism is positioned as ‘fantasy’ and defined as science fiction. Myths & Legends seeks to reposition this fallacy with fifty interventions into popular fantasy illustrator Steve Hickman’s posters now overlayed with bold statements in ethereal red text that position’s aspects of western operations that upon deeper reflection are only ‘real because we believe in them’. This series invites the audience to question the power and authority that we as a populace acquiesce to in a civic space; when we are ‘willing subjects’ – not because we choose or decide to but because we are not ‘not willing’.

AMALA GROOM is a Wiradyuri conceptual artist whose practice, as the performance of her cultural sovereignty, is informed and driven by First Nations epistemologies, ontologies and methodologies. Articulated across diverse media, Groom’s work often subverts and unsettles western iconographies to enunciate Aboriginal stories, experiences and histories, and to interrogate and undermine the legacy of colonialism.

DAEN SANSBURY-SMITH’S Adja Country ARt; is an artistic exploration through Narungga country by following the four Totems. The artwork has been created to allow viewers the ability to travel and to develop or maintain a connection to the country when sometimes for many reasons we cannot. Immerse yourself in this short clip and witness how easily these totems navigate the complex relationships between each other as well as the environment.

DAEN SANSBURY-SMITH is a Narungga/ Kaurna and Trawoolwaway content producer, visual artist and founder of Adjadura Art (My peoples art in Narungga). He has experience in Audio Engineering, Directing/ Writing and Program Management. In 2022 Daen continues to work on Augmented Reality Artworks and exhibitions, multiple Film productions, Music Projects and cultural art programs nationally.

JAYDENLEE TONG’S Tarndanyangga Dreaming is a visual interpretation of the Tarnta (Red Kangaroo totem or Red Kangaroo dreaming) and his journey to the meeting place where the Adelaide Festival Centre now stands, where he commences the men’s initiation ceremony. This artwork is influenced by traditional Aboriginal paintings through its use of texture, colour and design. Tarndanyangga Dreaming invites the younger generations to engage with cultural stories through the use of modern technologies and techniques as a way to learn about Kaurna people and their cultural and spiritual connection to country and place.

JAYDEN TONG is an emerging digital artist working primarily in 2D animation and moving image. Born in Adelaide, South Australia, Jayden is a Kaurna and Narungga man. As well as his Aboriginal family connections, Jayden is also of Chinese and European descent. Coming from a diverse and rich background, Jayden is able to draw on these perspectives which continue to inspire his artistic endeavours and exploration with digital mediums.

New Light 2022 is presented by Illuminate Adelaide and ANAT in association with Adelaide Festival Centre’s Moving Image program.

New Light, 2021, Lyndon Davis, Beeyali; Jasmine Miikika Craciun, My Healing; Ryan Andrew Lee, Buried.

New Light 2021 showcased experimental and diverse moving image works by contemporary First Nations artists. Through a national call out, New Light 2021 featured commissioned work by Lyndon Davis, Jasmine Miikika Craciun and Ryan Andrew Lee, exploring compelling and complex concepts. The artworks were displayed on the media screens at the entrance to the Adelaide Festival Centre during Illuminate Adelaide.

New Light 2021 was re-screening at the Adelaide Festival Centre media screens during the 2022 Adelaide festival summer season. The perfect opportunity to experience the large-scale setting as intended.

Lyndon Davis’ work ‘Beeyali’, New Light 2021, Adelaide Festival Centre screens. Photograph Frankie The Creative.
Lyndon collaborated with Leah Barclay & Tricia King on ‘Beeyali’ for New Light 2021.

Read more about New Light 2021 here.

PROJECT PARTNERS

Illuminate Adelaide is a celebration of innovation, music, art, light and technology.
Every winter, for two weeks and three weekends, Illuminate Adelaide will light up the city’s streets, laneways and architecture with a program of free and ticketed events by local, national and international artists and companies. 

Since 2018 Adelaide Festival Centre has presented the Moving Image Program which offers artists an opportunity to screen their video work on the large-scale outdoor media screens near the entrance to the Festival Theatre. This curated program consists of local, national and international works that run 24 hours a day 7 days a week.

BACKGROUND
The New Light program has considerable lineage. A series of moving image works were first commissioned by ANAT in association with the City of Adelaide for the 2017 TARNANTHI: Festival of Contemporary Aboriginal & Torres Strait Islander Art. A selection of contemporary First Nations artists created short experimental projection works, which screened as part of the East End Moving Image program in Adelaide.

The National Film and Sound Archive of Australia went on to support the work to screen at the Enlighten Festival, Canberra in 2018. In 2019, two of the New Light artists were selected to present their work at ISEA2019 in Gwangju, South Korea.

The vision for New Light 2022 is equally ambitious. Following our inaugural partnership with Illuminate Adelaide in 2021, ANAT and partners are excited to announce an opportunity for First Nations artists in 2022.

CONTACT
For further information, please contact:
Dearna Newchurch, First Nations Program Producer
[email protected]
08 8231 9037