For the past 30 years from its home base in Adelaide, South Australia, the Australian Network for Art & Technology has been at the forefront of the global uptake of artists working with the science and technology sectors.
After years of being known informally as ANAT, we’ve now formalised the name, engendering a great and unanimous sigh of relief among name-badge printers everywhere.
WHAT WE DO
ANAT expedites experimentation and innovation across art, science and technology by identifying opportunities and delivering projects that enable artists to contribute meaningfully to Australia’s reputation for creativity, diversity and innovation.
ANAT is the early adopter of the Australian arts sector. We introduce artists to new experiences, with partners drawn from areas with limited exposure to the transformative power of the arts. We do the trial and error R&D so that others don’t need to. We channel experimental artists and those working with emerging forms into the broader arts sector.
ANAT understands that experimentation is the bedrock of innovation and that harnessing diverse perspectives and knowledge is central to Australia’s research future.
Collaboration is in ANAT’s DNA. We forge relationships across industry, academia, the community and government to create unique opportunities for artists. We deliver residencies, symposia, workshops and other professional pathways, supported by robust national and international networks.
The ANAT Board is responsible for ensuring that ANAT’s strategic vision and mission are actively connected to ANAT’s operations. The Board is supported in this by three subcommittees focused on Risk, Development and Human Resources. The Board is made up of duly elected members of ANAT. Additional members may also be co-opted within the guidelines of the ANAT constitution.
Michael works with international information provider LexisNexis. For a decade prior to that, he was senior manager at Sheahan Lock Partners, a multidisciplinary insolvency practice, focusing on forensic investigation and complex litigation. Before that, he spent 15 years working as a marketing and communications specialist in the performing arts arena, including time with the Adelaide Festival Centre, the Adelaide Festival of Arts and Australian Dance Theatre, and the Federal Department of Communications, IT and the Arts.
David has 23 years’ information security and privacy experience and is currently independently consulting following on from his time at the Flight Centre Travel Group, where David was the Global Chief Information Security Officer and the Global Data Protection Officer. Prior to this, David worked with national and international consulting firms in areas including IT forensics and fraud investigation.
Caroline is a consultant working in private practice. She specialises in executive coaching, strategic planning, cultural diagnosis and change. She has worked with clients in a broad range of industries and sectors including health, sport, cultural and community sectors, and draws on diverse experiences working across the NGO, government and university sectors. Prior to life as a consultant, Caroline worked as a senior manager and innovative leader in the arts and cultural sector in Australia for almost 20 years. These roles took her around Australia and the world, where she worked in partnership with innovators in the public, private and commercial sectors.
Currently on leave.
PROFESSOR CHRISTOPHER FLUKE
Chris is the Director of the Advanced Visualisation Laboratory at Swinburne University of Technology, having worked in Swinburne’s Centre for Astrophysics and Supercomputing for nearly 20 years. Chris is an interdisciplinary researcher who has actively collaborated with sports scientists and molecular biochemists, while also publishing works on fundamental astrophysics, computing technologies, and solutions to big data visualisation challenges in astronomy. Chris has an established history of arts/science partnerships, including hosting artists through the ANAT Synapse Residencies program. He was awarded a Victoria Fellowship in 2000 and was a co-recipient of the 2015 David Allen Prize for ‘exceptional achievement in astronomy communication’.
Liz is a trusted and innovative senior executive in the creative, cultural and education sectors. She is Director Creative Enterprise at UNSW: Art & Design, a strategic role to drive interdisciplinary collaboration, engage industry and government partners, and to expand the role of creativity. Previously she was Director Partnerships and Development and Director AFTRS Open at the Australian Film Television and Radio School, responsible for 300+ short courses annually, international partnerships, diversity initiatives and business development. Additionally, Liz was Executive Director and Artistic Director of Experimenta, overseeing its transformation and pivotal positioning in the media arts landscape, and had an award-winning filmmaking career.
DR ERICA SECCOMBE
Erica is a visual artist and lecturer at the ANU School of Art & Design. Her interdisciplinary practice spans traditional and photographic print media and drawing to experimental digital platforms using frontier scientific visualisation software. Since 2006 she has been an artist and resident researcher at the ANU Department of Applied Mathematics and Vizlab, NCI, and was a 2010 Synapse Residency recipient. Erica’s PhD GROW: experiencing Nature in the Fifth Dimension was a practice-led research project investigating time-resolved (4D) micro-X-ray Computed Tomography through immersive stereoscopic digital projection installations and 3D printing.
PROFESSOR TED SNELL AM CitWA
Ted is Chief Cultural Officer and Director of the Lawrence Wilson Art Gallery at the University of Western Australia. Over the past four decades he has made a significant contribution to the national arts agenda. A former Chair of the Visual Arts Board of the Australia Council, he is currently Chair of the Fremantle Biennale Advisory Board and a member of the board of the UQ Art Museum. He has published several books and has curated numerous exhibitions, many of which document the visual culture of Western Australia. Ted is a commentator on the arts for ABC radio and television and writes regularly for The Conversation online journal.
Director, ANAT | SA | firstname.lastname@example.org
Vicki has initiated and delivered professional and creative development programs for artists, in partnership with industry, government and academia, for over 25 years. She contributes to national sector development through advocacy and governance roles and is a Peer Assessor for the Australia Council for the Arts and Arts South Australia.
The staff at ANAT deliver ANAT’s mission to engage with art, science and technology to enable and influence cultural, community and economic developments. Their experience, dedication and creativity, focused on a shared vision, ensure the success of ANAT’s ground-breaking programs.
Director | email@example.com
Vicki has initiated and delivered professional and creative development programs for artists and filmmakers, in partnership with industry, government and academia, for over 25 years. She has held positions with the Australian Film Commission (now Screen Australia), Metro Screen, the Media Resource Centre and ABC TV. She joined ANAT as Art Science Program Manager in 2007 and has held the role of Director since 2012. In 2013 she was Chair of the Organising Committee for ISEA2013, which was hosted by ANAT in Sydney. She contributes to national sector development through advocacy and governance roles and is a Peer Assessor for the Australia Council for the Arts and Arts South Australia. Vicki holds a Diploma of Horticulture (Massey University, NZ) and a Bachelor of Communication (UTS, Australia).
Operation Manager | firstname.lastname@example.org
Melissa has extensive experience managing government funding and investment programs. She spent over a decade at the South Australian Film Corporation, securing and managing production financing, as well as managing the Corporation’s nationally significant film collection. At Arts SA, she oversaw cultural heritage organisations including the Art Gallery of South Australia, Museum of South Australia, State Library of South Australia, ArtLab Australia and Tandanya. She has directed and produced documentaries for CAAMA, ABC TV and SBS TV, and her films have screened and won awards at festivals internationally. She has lectured at the Batchelor Institute and the University of Melbourne, and has worked as a video and radio producer for Warlpiri Media, facilitating the production of ‘in language’ content. Melissa holds a Master of Business Administration (University of South Australia), and a Bachelor of Arts (University of Melbourne).
Program Coordinator | email@example.com
Jenn Brazier is a practicing photomedia artist with a Bachelor of Visual Art, majoring in Photography and Digital Imaging. She has worked in the arts industry for over 15 years across a broad spectrum of the sector, including as Gallery Coordinator at a commercial gallery, Honours and Postgraduate Officer at the Creative Industries Faculty Research Office at QUT and most recently as Public Art Officer at the City of Adelaide where she initiated the Art Pod, Emerging Curator and Soundscape Programs. Jenn originally began her career in the arts at ANAT back in 2004 as Membership & Administration Officer. In 2017, she returned as Program Coordinator to focus on the delivery of projects that enable artists to push the boundaries of creative experimentation.
Marketing and Communications Coordinator | firstname.lastname@example.org
Carollyn Kavanagh is a content marketing professional, graphic designer and independent curator. She completed a Masters in Curatorial and Museum Studies at Adelaide University and was awarded the Emerging Curator positions at both Arts South Australia and the Adelaide City Council in 2014. Originally a senior print designer at Advertiser NewsMedia, Carollyn was the Communications and Design Officer with local peak body Guildhouse. Her curatorial practice focuses on presenting public art experiences in non-traditional gallery spaces, particularly in roles with South Australian Living Artist (SALA) Festival, Adelaide Airport and the arts and health cross-sector interdisciplinary exhibition and public projections, Body of Evidence.
Technical Officer | email@example.com
Steven Pickles, aka Pix, is a founding member of Hackerspace Adelaide. After getting a degree in Computer Science, he quickly fell in with the wrong crowd and spent a decade helping artists build interactive installations for the European new media art festival circuit. His work has given him a unique perspective on the relationship between technology and the arts, backed up by an enduring fascination with all things geeky.