Skip to Content
logo_black2
logo_black2
  • About
    • What We Do
    • Board
    • Staff
    • Alumni Network
    • Strategic Plan
    • ANAT Press
    • Donations
    • Corporate
      • History
      • Annual Reports
      • ANAT 30 for 30
  • Program
    • ANAT Synapse Residency
    • Bespoke Residency: Playable Earth
    • A Partnership for Uncertain Times
    • DNA Library
    • New Light 2022
    • ANAT SPECTRA
    • Australian Antarctic Division + ANAT Arts Fellowship
    • Archiving Australian Media Art
    • Archive
  • Publications
    • ANAT DIGEST
    • FILTER
    • ANAT Emerging Writer Series
  • News
  • Apply
  • Contact

2021 Program

In the centre of a darkened violet background, a viscous green object grows between two black horizontal surfaces. 2021 ANAT Synapse residents Linda Dement and Paul Brown. The LumenX bioprinter printing a 3d model of Georges Schwarz's breath.

2021 ANAT Synapse Residencies

2021
Breathwork, Helen Pynor, 2021, archival pigment print, 120 x 100 cm, edition of 5 + 1AP. Image courtesy of the artist. Breathwork, Helen Pynor, 2021, archival pigment print, 120 x 100 cm, edition of 5 + 1AP. Image courtesy of the artist.

2020-21 ANAT SAHMRI Residency

2021
Andrea Rassell, Still from The Society of NanoBioSensing, Scanning Electron Microscopy image of prostate tumour cells with ZIF-8, a nano-engineered material that acts as a gene delivery system and cancer therapy for specifically targeted cells. Andrea Rassell, Still from The Society of NanoBioSensing, Scanning Electron Microscopy image of prostate tumour cells with ZIF-8, a nano-engineered material that acts as a gene delivery system and cancer therapy for specifically targeted cells.

DNA LAB

2021
A sepia toned photograph of a Eucalyptus Tree's limbs and leaves. A large taupe coloured circle sits left the image's centre, intersected by four wavy lines stretching horizontally to the edges of the frame. Indigenous Protocols and Artificial Intelligence (IP//AI) Prototype in 2021. Image courtesy Jasmine Miikika Craciun.

Indigenous Protocols and Artificial Intelligence Prototype 2021

2021
A kaleidoscopic pattern, featuring black, white, green and purple fragmented shapes forming the shape of a white circle within a black circle. Lyndon Charles Davis, Beeyali (still), NEW LIGHT 2021. Visualising the calls of black and white cockatoos on Kabi Kabi Country, 'Beeyali' uses cymatics, the science of visualising acoustic energy or sound

NEW LIGHT 2021

2021
A digital image depicting a vivid background of electric coloured stripes, through a central circular negative space is what appears to be the silhouette of a figure, patterned with swirling organic colour. Stan Ostoja-Kotkowski, SPHRETREE. Image courtesy the State Library of South Australia.

Archiving Australian Media Art

2021
Smart Object 2020 Brad Darkson. Detail of Hand carved plongi with linseed oil. Photograph Adam Murakami Smart Object 2020 Brad Darkson. Detail of Hand carved plongi with linseed oil. Photograph Adam Murakami

Experimenta Life Forms commission Brad Darkson

2021
Iceberg Alley courtesy Wild System, 2019-20 Australian Antarctic Arts Fellows Adam Nash and John McCormick. Iceberg Alley courtesy Wild System, 2019-20 Australian Antarctic Arts Fellows Adam Nash and John McCormick.

2021 Australian Antarctic Divisions Art Fellowship

2021

CONTACT

L7, 144 North Terrace
Adelaide, SA 5000
PO Box 8029, Station Arcade
Adelaide, SA 5000

Phone: 61 (0) 8 8231 9037

Email: [email protected]

SUBSCRIBE HERE
  • This field is for validation purposes and should be left unchanged.

Go to Australia Council for the Arts Website Go to The Visual Arts and Craft Strategy Webiste Go to Arts of South Australia website
  • Sitemap
  • Terms of Use
  • Privacy Policy
  • © ANAT
  • All Rights Reserved 2023

ANAT works on Kaurna Country. ANAT acknowledges and pays respects to the First Nations peoples of the land we call Australia. Aboriginal peoples are the Traditional Custodians and we recognise their continued cultural, spiritual and technological practices. We also acknowledge and pay respects to all First Nations peoples beyond Australian shores. As the very first storytellers, we understand that First Nations peoples hold invaluable knowledge and perspectives that are vital in the research, interrogation and development of traditional and emerging technologies, across both our physical and digital realms.

ANAT is assisted by the Australian Government through the Australia Council its arts funding and advisory body, by the South Australian Government through Arts SA and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.

ANAT works on Kaurna Country. ANAT acknowledges and pays respects to the First Nations peoples of the land we call Australia. Aboriginal peoples are the Traditional Custodians and we recognise their continued cultural, spiritual and technological practices.

We also acknowledge and pay respects to all First Nations peoples beyond Australian shores. As the very first storytellers, we understand that First Nations peoples hold invaluable knowledge and perspectives that are vital in the research, interrogation and development of traditional and emerging technologies, across both our physical and digital realms.