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Archive Program

A kaleidoscopic pattern, featuring black, white, green and purple fragmented shapes forming the shape of a white circle within a black circle. Lyndon Charles Davis, Beeyali (still), NEW LIGHT 2021. Visualising the calls of black and white cockatoos on Kabi Kabi Country, 'Beeyali' uses cymatics, the science of visualising acoustic energy or sound

New Light 2021

2021
A digital image depicting a vivid background of electric coloured stripes, through a central circular negative space is what appears to be the silhouette of a figure, patterned with swirling organic colour. Stan Ostoja-Kotkowski, SPHRETREE. Image courtesy the State Library of South Australia.

Archiving Australian Media Art

2021
Smart Object 2020 Brad Darkson. Detail of Hand carved plongi with linseed oil. Photograph Adam Murakami Smart Object 2020 Brad Darkson. Detail of Hand carved plongi with linseed oil. Photograph Adam Murakami

Experimenta Life Forms commission Brad Darkson

2021
Iceberg Alley courtesy Wild System, 2019-20 Australian Antarctic Arts Fellows Adam Nash and John McCormick. Iceberg Alley courtesy Wild System, 2019-20 Australian Antarctic Arts Fellows Adam Nash and John McCormick.

2021 Australian Antarctic Divisions Art Fellowship

2021

2020-21 ANAT SAHMRI Residency

2020
Janet Laurence in the studio Photograph Felicity Jenkins Janet Laurence in the studio. Photograph Felicity Jenkins.

2020 Australian Antarctic Divisions Art Fellowship

2020

2020 ANAT Ideate Residencies

2020
Deirdre Feeney, Hollow Lens, 2019, steel, LCD screens, water, glass, aluminium, stepper motor, pump, rasberri pi, arduino, LED. Dimensions variable. © Deirdre Feeney. Photograph Andrew Sikorski. 2020 ANAT Synapse resident. Deirdre Feeney, Hollow Lens, 2019, steel, LCD screens, water, glass, aluminium, stepper motor, pump, rasberri pi, arduino, LED. Dimensions variable. © Deirdre Feeney. Photograph Andrew Sikorski. 2020 ANAT Synapse resident.

2020 ANAT Synapse Residencies

2020
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ANAT and our project partners acknowledge and pay respects to the First Nations of the land known as Australia. We recognise all Traditional Owners and their continued cultural, spiritual and technological practices. We also acknowledge and pay respects to all First Nations peoples beyond Australian shores. As the very first storytellers, First Nations peoples hold invaluable knowledge and perspectives that are vital in the research, interrogation and development of traditional and emerging technologies, across both our physical and digital realms. Together we are gathering across many unceded lands that have been forcibly colonised. ANAT works on Kaurna yarta.

ANAT is assisted by the Australian Government through Creative Australia and the South Australian government through the Department of Premier and Cabinet, CreateSA.

ANAT and our project partners acknowledge and pay respects to the First Nations of the land known as Australia.

We recognise all Traditional Owners and their continued cultural, spiritual and technological practices.

We also acknowledge and pay respects to all First Nations peoples beyond Australian shores. As the very first storytellers, First Nations peoples hold invaluable knowledge and perspectives that are vital in the research, interrogation and development of traditional and emerging technologies, across both our physical and digital realms.

Together we are gathering across many unceded lands that have been forcibly colonised.

ANAT works on Kaurna yarta.